Reimon

RAMONA LIVES IN THE SUBURBAN. EVERY DAY HE TRAVELS FOUR AND A HALF HOURS TO GET TO WORK AND COME BACK HOME. IN THE CENTER SHE WORKS AS A DOMESTIC EMPLOYEE, WHERE SHE RECEIVES THE NICKNAME REIMON, A KIND OF ANGLICISM TYPICAL OF THE UPPER MIDDLE CLASS OF THE CITY. THERE CLEANS TWO HOUSES. THE TRAVELS, THE ROUTINE OF CLEANING ANOTHER'S HOUSE AND THE ALMOST IRRECONCILIABLE ABYSS THAT REVEALS THE ENCOUNTER WITH THE MIDDLE CLASS MAKE UP THE MAIN ACTIONS OF THE FILM, WHICH IN THE MIDDLE OF THAT JUNGLE OF WORK, EQUALLY INSISTS ON INQUIRING THE LIFE OF A WOMAN SINGULAR.

ROTTERDAM, HAMBURG, NY LATIN BEATS, BAFICI, BEST FILM FESTIFREAK LA PLATA, BEST DIRECTOR NOMINEE IN CINEMA TROPICAL AWARDS, NY.